Saturday, May 19, 2012
B&B Garden Party Writer’s Weekend Workshop Official Agenda
Saturday at 9:00 a.m.
Brief Welcome and Introductions.
Saturday at 9:30 a.m.
‘Character-OZ-ation’
with Jackie Pynaert
This workshop takes an in-depth look at what goes into creating characters that resonate with readers for the rest of their lives, and why others fall short of the mark. What components go into creating such a character, how many, who specifically, their relationships to one another, and why? Strategies will be discussed to help authors plan and create their own cast of memorable characters, each with a distinct purpose, in direct relationship to the protagonist(s), or to overall thematic goal of the manuscript. A series of interactive exercises will help authors develop sensory, full-bodied characters, whose personalities demand to be remembered by their very design.
Saturday at 11:00 a.m.
‘Deep Scene:
Going Beyond the Basics to Create Shapely, Resonant Scenes’
with Lorin Oberweger
Though many writers know the basics of scene structure, they fail to make their scenes do all the work they can do, taking the path of least resistance instead of challenging themselves—and their
characters and stories—to greater heights. In this class, we’ll dig
into the foundational element of story construction, the scene, and examine ways in which every aspect of the scene can perform multiple functions, creating richer and more dynamic moments that lead to a much more satisfying work.
Please bring along a scene from your novel—no more than five pages.
Saturday at 12:00 p.m.
Enjoy a lovely lunch in the garden.
Saturday at 1:00 p.m. - 5:30 p.m.
Writing time.
(Schedule critiques will also occur throughout the afternoon. Participants will sign up for preferred times when they arrive at the venue.)
Saturday at 5:30 p.m. (or later)
Dinner
A plethora of wonderful dining experiences are just a short distance from the venue. Participants can walk or ride to the destination of their choice to enjoy a meal in the company of new friends.
Saturday at 7:30 p.m. - ?
Informal critique circle opportunities, followed by a wine and cheese networking social.
Sunday at 9:00 a.m.
‘A Full Plate’
with Jackie Pynaert
In this workshop, attendees will learn the principles of balancing their ‘Plot Plate.’ How much of a serving is too much and how much is not enough? Interactive exercises will help attendees balance their plot plates, by eliminating useless, unnecessary, or unfulfilling calories, while adding spice where necessary to enhance the overall flavor of the remaining ones. Bring your plot, forks, knives and spoons to this one, and be prepared to do surgery. Plot Plates will be supplied.
Sunday at 11: a.m.
‘The Ever-Elusive Voice’
with Lorin Oberweger
What IS "Voice?" How can such a powerful element, one that sells books and enraptures readers, remain such a slippery concept to understand? Beyond that, how can writers create richer narrative voices in any genre? In this class, we'll not only define voice, we'll study examples of its powerful employment in fiction and, most importantly, we'll do real hands-on work to sharpen our own writing voices. Bring a laptop or notebook and be prepared to WORK!
Saturday at 12:00 p.m.
Enjoy a lovely lunch in the garden.
Saturday at 1:00 p.m. - 5:30 p.m.
Writing time.
(Schedule critiques will also occur throughout the afternoon. Participants will sign up for preferred times when they arrive at the venue.)
Saturday at 5:30 p.m.
Kiss and Cry session as we all say farewell.
Saturday, May 12, 2012
B&B Garden Party Writer's Workshop Weekend
Who's coming to my B&B Garden Party Writer's Workshop Weekend? July 21,22, 2012 in picturesque Guelph Ontario? Just a hop, skip and a jump from the Toronto Airport. Check out this irresistible venue. http://norfolkguesthouse.ca/
All writers, all over the house, all weekend long!
The weekend features, interactive small group writing workshop sessions, and a full weekend of uninterrupted writing time, at this beautiful restored Victorian, Norfolk Bed and Breakfast venue! (Secluded B&B with private gardens, full reign of the house for the weekend, writerly friendship and quiet writing time. Arrive for the Friday night bonus and get a jump start on your secluded writing time.)
Mornings will feature workshops lead by editor, Lorin Oberweger of Free Expressions,(see link below) and Jackie Garlick-Pynaert, 9:00 am. to 1:00 pm, with writing time provided in the afternoons. Evenings will feature loosely structure critique circles, followed by networking and socializing opportunities. Daily workshops will focus on scene and deep scene development, strategic character creation and development, cultivating distinct and commerical voice,as well as tricks of the trade in story arc construction. (See Weekend Agenda Below.)
A limited number of 25 to 40 min. one-on-one personal critique sessions will be offered with both instructors throughout the weekend. (Please see fee schedule below.)
Space for this event is limited to just 20 participants, so if you're interested, message me today, at: jjpynaert@hotmail.com to reserve your space.
The Price you ask?
The Price of the B&B Garden Party Writer's Workshop Weekend is $199.00/person.
(Includes all workshop sessions, coffee/tea and lunch both Saturday and Sunday, and full use of the facilities.)
A variety of one-on-one Critique sessions are available for the following prices:
For Lorin Oberweger: http://www.free-expressions.com/about-lorin/
Receive a 25 min. 5 page critique (mailed in advance of the workshop to Lorin) for $45.00.
Receive a 40 mins. 25 page critique (mailed in advance of the workshop to Lorin) for $150.00.
For Jackie Garlick-Pynaert:
Receive a 25 min. 5 page critique (mailed in advance of the workshop to Jackie) for $25.00.
Receive a 40 mins. 20 page critique (mailed in advance of the workshop to Jackie) for $85.00.
Please NOTE: A limited number of gorgeous room suites are available to attendees at the venue, at reduced writer workshop rates. For those wishing to stay at the venue, rooms will be available on a first-come-first-serve basis only.(Prices include a full breakfast.)Why not treat yourself to the full weekend experience. Please contact the venue at 519-767-1095 and ask for Janet to secure your booking right way. All other participants requiring accommodations are asked to secure their own rooms nearby.
Penthouse- $225.00 (double suite (2 beds)
Grandview - $225.00 (single suite)
Bombay -$119.00
Provence -$99.00
(See Norfolk House website for rooms and amenities. All rooms rates are subject to Canadian.tax.)
Don't miss out on this quaint, cozy, writerly experience. Secure yourself a space,today!
HOW TO REGISTER:
To register simply select B&B Workshop using the PayPal button at the top of this blog and add to cart. Click again to select a critique if desired, add to cart and then exit shopping and make your payment. Then send an email indicating you have registered for the event re line: B&B Garden Party Writer's Workshop Weekend, to jjpynaert@hotmail.com. Please indicate if you have also registered for a one-on-one with either Jackie or Lorin and the number of pages.(Please NOTE: Critiques are limited in number and will be awarded on a first come first serve basis.) A confirmation email will be emailed to you, directly!
Hope to see you all at this fun-filled, craft enhancing event!
Jackie!
B&B Garden Party Writer’s Weekend Workshop Agenda
(Full Agenda on Next Post)
Saturday at 9:00 a.m. – Brief Welcome and Introductions.
Saturday at 9:30 a.m.
‘Character-OZ-ation’
This workshop takes an in-depth look at what goes into creating characters that resonate with readers for the rest of their lives, and why others fall short of the mark. What components go into creating such a character, how many, who specifically, their relationships to one another, and why? Strategies will be discussed to help authors plan and create their own cast of memorable characters, each with a distinct purpose, in direct relationship to the protagonist(s), or to overall thematic goal of the manuscript. A series of interactive exercises will help authors develop sensory, full-bodied characters, whose personalities demand to be remembered by their very design.
Saturday at 11:00 a.m.
‘Deep Scene:
Going Beyond the Basics to Create Shapely, Resonant Scenes’
Though many writers know the basics of scene structure, they fail to make their scenes do all the work they can do, taking the path of least resistance instead of challenging themselves—and their
characters and stories—to greater heights. In this class, we’ll dig
into the foundational element of story construction, the scene, and examine ways in which every aspect of the scene can perform multiple functions, creating richer and more dynamic moments that lead to a much more satisfying work.
Please bring along a scene from your novel—no more than five pages.
Sunday at 9:00 a.m.
‘A Full Plate’
In this workshop, attendees will learn the principles of balancing their ‘Plot Plate.’ How much of a serving is too much and how much is not enough? Interactive exercises will help attendees balance their plot plates, by eliminating useless, unnecessary, or unfulfilling calories, while adding spice where necessary to enhance the overall flavor of the remaining ones. Bring your plot, forks, knives and spoons to this one, and be prepared to do surgery. Plot Plates will be supplied.
Sunday at 11: a.m.
‘The Ever-Elusive Voice’
What IS "Voice?" How can such a powerful element, one that sells books and enraptures readers, remain such a slippery concept to understand? Beyond that, how can writers create richer narrative voices in any genre? In this class, we'll not only define voice, we'll study examples of its powerful employment in fiction and, most importantly, we'll do real hands-on work to sharpen our own writing voices. Bring a laptop or notebook and be prepared to WORK!
All writers, all over the house, all weekend long!
The weekend features, interactive small group writing workshop sessions, and a full weekend of uninterrupted writing time, at this beautiful restored Victorian, Norfolk Bed and Breakfast venue! (Secluded B&B with private gardens, full reign of the house for the weekend, writerly friendship and quiet writing time. Arrive for the Friday night bonus and get a jump start on your secluded writing time.)
Mornings will feature workshops lead by editor, Lorin Oberweger of Free Expressions,(see link below) and Jackie Garlick-Pynaert, 9:00 am. to 1:00 pm, with writing time provided in the afternoons. Evenings will feature loosely structure critique circles, followed by networking and socializing opportunities. Daily workshops will focus on scene and deep scene development, strategic character creation and development, cultivating distinct and commerical voice,as well as tricks of the trade in story arc construction. (See Weekend Agenda Below.)
A limited number of 25 to 40 min. one-on-one personal critique sessions will be offered with both instructors throughout the weekend. (Please see fee schedule below.)
Space for this event is limited to just 20 participants, so if you're interested, message me today, at: jjpynaert@hotmail.com to reserve your space.
The Price you ask?
The Price of the B&B Garden Party Writer's Workshop Weekend is $199.00/person.
(Includes all workshop sessions, coffee/tea and lunch both Saturday and Sunday, and full use of the facilities.)
A variety of one-on-one Critique sessions are available for the following prices:
For Lorin Oberweger: http://www.free-expressions.com/about-lorin/
Receive a 25 min. 5 page critique (mailed in advance of the workshop to Lorin) for $45.00.
Receive a 40 mins. 25 page critique (mailed in advance of the workshop to Lorin) for $150.00.
For Jackie Garlick-Pynaert:
Receive a 25 min. 5 page critique (mailed in advance of the workshop to Jackie) for $25.00.
Receive a 40 mins. 20 page critique (mailed in advance of the workshop to Jackie) for $85.00.
Please NOTE: A limited number of gorgeous room suites are available to attendees at the venue, at reduced writer workshop rates. For those wishing to stay at the venue, rooms will be available on a first-come-first-serve basis only.(Prices include a full breakfast.)Why not treat yourself to the full weekend experience. Please contact the venue at 519-767-1095 and ask for Janet to secure your booking right way. All other participants requiring accommodations are asked to secure their own rooms nearby.
Penthouse- $225.00 (double suite (2 beds)
Grandview - $225.00 (single suite)
Bombay -$119.00
Provence -$99.00
(See Norfolk House website for rooms and amenities. All rooms rates are subject to Canadian.tax.)
Don't miss out on this quaint, cozy, writerly experience. Secure yourself a space,today!
HOW TO REGISTER:
To register simply select B&B Workshop using the PayPal button at the top of this blog and add to cart. Click again to select a critique if desired, add to cart and then exit shopping and make your payment. Then send an email indicating you have registered for the event re line: B&B Garden Party Writer's Workshop Weekend, to jjpynaert@hotmail.com. Please indicate if you have also registered for a one-on-one with either Jackie or Lorin and the number of pages.(Please NOTE: Critiques are limited in number and will be awarded on a first come first serve basis.) A confirmation email will be emailed to you, directly!
Hope to see you all at this fun-filled, craft enhancing event!
Jackie!
B&B Garden Party Writer’s Weekend Workshop Agenda
(Full Agenda on Next Post)
Saturday at 9:00 a.m. – Brief Welcome and Introductions.
Saturday at 9:30 a.m.
‘Character-OZ-ation’
This workshop takes an in-depth look at what goes into creating characters that resonate with readers for the rest of their lives, and why others fall short of the mark. What components go into creating such a character, how many, who specifically, their relationships to one another, and why? Strategies will be discussed to help authors plan and create their own cast of memorable characters, each with a distinct purpose, in direct relationship to the protagonist(s), or to overall thematic goal of the manuscript. A series of interactive exercises will help authors develop sensory, full-bodied characters, whose personalities demand to be remembered by their very design.
Saturday at 11:00 a.m.
‘Deep Scene:
Going Beyond the Basics to Create Shapely, Resonant Scenes’
Though many writers know the basics of scene structure, they fail to make their scenes do all the work they can do, taking the path of least resistance instead of challenging themselves—and their
characters and stories—to greater heights. In this class, we’ll dig
into the foundational element of story construction, the scene, and examine ways in which every aspect of the scene can perform multiple functions, creating richer and more dynamic moments that lead to a much more satisfying work.
Please bring along a scene from your novel—no more than five pages.
Sunday at 9:00 a.m.
‘A Full Plate’
In this workshop, attendees will learn the principles of balancing their ‘Plot Plate.’ How much of a serving is too much and how much is not enough? Interactive exercises will help attendees balance their plot plates, by eliminating useless, unnecessary, or unfulfilling calories, while adding spice where necessary to enhance the overall flavor of the remaining ones. Bring your plot, forks, knives and spoons to this one, and be prepared to do surgery. Plot Plates will be supplied.
Sunday at 11: a.m.
‘The Ever-Elusive Voice’
What IS "Voice?" How can such a powerful element, one that sells books and enraptures readers, remain such a slippery concept to understand? Beyond that, how can writers create richer narrative voices in any genre? In this class, we'll not only define voice, we'll study examples of its powerful employment in fiction and, most importantly, we'll do real hands-on work to sharpen our own writing voices. Bring a laptop or notebook and be prepared to WORK!
Tuesday, May 1, 2012
Stand Out Writing - Is That What You Do?
Don't you want to be, doesn't everyone want to be, a STAND OUT writer?
Of course you do, all of you, but what exactly does that mean?
You've all heard talk of needing "the IT factor," or heard editors at conferences say, "I want the next best seller, the new best thing." "High Concept," gets thrown around a lot at conferences too, which to me basically means a book premise that has both commercial (or universal) appeal, with tight, but savvy literary writing...something that's different, something that STANDS OUT, something they haven't seen a million times before.
Take a minute to think about the opening of your own novel. Does it begin with your character in reflection? Is he/she deep in thought, internalizing all over the page? Is your character sitting still, or worse, standing looking out over something, a school yard, a kingdom, a horizon perhaps, thinking, reflecting, commiserating about his/her life, situation, circumstance, in a totally inactive and internalizing way?
In middle grade...the internalization will typically look like this. He/she will be walking through the doors of their school or sitting on the bus on the way to school, reflecting about what a nerd they are, how they don't fit in, wishing they did. Enter bully, who treats them bad, or centres them out, as the character internalizes about how they will ever survive the day.
In YA, the scene almost always opens with some kind of self deprecating moment (usually while walking down the hall at school), followed by the entrance of the blonde (insert hair colour here, it doesn't really matter) bitch/braun, followed by an altercation (no matter how slight; 'B' knocks books from protag's arms, or kicks them away after they've dropped them (klutz that they are) is a biggy), after which the character will fall back into an internalizing state, wishing he/she were cooler, or not afflicted with (insert issue/short coming/superpower here), instead of who/what they really are. Sound familiar?
Well, to quote Donald Maass, then "STOP IT." Stop being predictable. Stop being mundane. Strive for something more captivating, more original, more INTRIGUING. Strive to STAND OUT. Don't blend in.
As we all know, first pages of a novel, ANY NOVEL, are critical. They can either hook the reader into purchasing the book, or cause them to put it back on the shelf. How many times have you stood in Chapters reading the first couple pages of a novel? And what happens to that novel if you're not hooked? That's right, you put it back.
How long does that take? How far do you read before you decide? A page, maybe two, a chapter if the author's lucky? The very same thing goes for an editor. Only they receive 100's if not 1000's of manuscripts every week. And just like you, it only takes moments to decide, is it STAND OUT, or do they shelve it?
Suppose an editor were to open a manuscript with a middle grade child sitting on a school bus, reflecting about what's going to happen when he/she comes face-to-face with the school's bully...OR... manuscript two, that opens with a middle grade child mustering up the courage to throw a punch into the gut of that notorious school bully, while internalizing about how after he/she takes down the bully, he/she plans to take on the world, perhaps even commandeer a boat and fight pirates off the coast of Somalia after school. Which do you think will have the editor sitting up and taking notice? The mundane been-done-a-million-times, in-active, reflective number one opening? Or the balls and brassy, action-packed, emotionally-driven, thought-provoking number two?
That's right. The one with the forward moving character who appears on stage in an empowered light, not a downtrodden one (even if he/she gets their ass kicked in the next scene). The engaged and engaging, taking on life, not being run over by it, despite the circumstance, potential hero/heroine...who is possessed of spirit -- plenty of spirit -- THAT'S the one as readers are most curious about. (Oh, and it helps if the spirit has a unique and endearing voice, too. Just sayin'.)
If you want your writing to STAND OUT, your novel must command the stage. It must captivate its audience. Right from the first page. STAND OUT writing grabs its readers by the throat and won't let go. It keeps its reader ill at ease, slightly off balance, consistently in a state of minor disturbance, page after page after page. STAND OUT writing is wrought with unanswered questions and tantalizing mysteries that make its readers wonder what will happen next?
Think about your writing again, does it accomplish that?
STAND OUT novels present readers with characters they want to take home in their pockets, have coffee with, would fight for if forced to, and if they were to die, would take a little piece of their readers with them. Characters like Rainman, or Bridget Jones, or Scout. Harry Potter, Dumbledore, or Rue. STAND OUT means quite simply creating something OUTSTANDING. Unforgettable. Unputdownable. Original. Not mundane. No quiet reflective, internalized, staring out over the moors in silence, type entrance will do.
Think about your writing again, does that describe your characters?
Thinking of how you can transform your writing to STAND OUT proportions but think you might need some help?
Don't worry. It's coming.
How about a WORKSHOP or two?
Questions, feel free to contact me at jjpynaert@hotmail.com
Or stay tuned to this blog for details...
Coming soon...
You've all heard talk of needing "the IT factor," or heard editors at conferences say, "I want the next best seller, the new best thing." "High Concept," gets thrown around a lot at conferences too, which to me basically means a book premise that has both commercial (or universal) appeal, with tight, but savvy literary writing...something that's different, something that STANDS OUT, something they haven't seen a million times before.
Take a minute to think about the opening of your own novel. Does it begin with your character in reflection? Is he/she deep in thought, internalizing all over the page? Is your character sitting still, or worse, standing looking out over something, a school yard, a kingdom, a horizon perhaps, thinking, reflecting, commiserating about his/her life, situation, circumstance, in a totally inactive and internalizing way?
In middle grade...the internalization will typically look like this. He/she will be walking through the doors of their school or sitting on the bus on the way to school, reflecting about what a nerd they are, how they don't fit in, wishing they did. Enter bully, who treats them bad, or centres them out, as the character internalizes about how they will ever survive the day.
In YA, the scene almost always opens with some kind of self deprecating moment (usually while walking down the hall at school), followed by the entrance of the blonde (insert hair colour here, it doesn't really matter) bitch/braun, followed by an altercation (no matter how slight; 'B' knocks books from protag's arms, or kicks them away after they've dropped them (klutz that they are) is a biggy), after which the character will fall back into an internalizing state, wishing he/she were cooler, or not afflicted with (insert issue/short coming/superpower here), instead of who/what they really are. Sound familiar?
Well, to quote Donald Maass, then "STOP IT." Stop being predictable. Stop being mundane. Strive for something more captivating, more original, more INTRIGUING. Strive to STAND OUT. Don't blend in.
As we all know, first pages of a novel, ANY NOVEL, are critical. They can either hook the reader into purchasing the book, or cause them to put it back on the shelf. How many times have you stood in Chapters reading the first couple pages of a novel? And what happens to that novel if you're not hooked? That's right, you put it back.
How long does that take? How far do you read before you decide? A page, maybe two, a chapter if the author's lucky? The very same thing goes for an editor. Only they receive 100's if not 1000's of manuscripts every week. And just like you, it only takes moments to decide, is it STAND OUT, or do they shelve it?
Suppose an editor were to open a manuscript with a middle grade child sitting on a school bus, reflecting about what's going to happen when he/she comes face-to-face with the school's bully...OR... manuscript two, that opens with a middle grade child mustering up the courage to throw a punch into the gut of that notorious school bully, while internalizing about how after he/she takes down the bully, he/she plans to take on the world, perhaps even commandeer a boat and fight pirates off the coast of Somalia after school. Which do you think will have the editor sitting up and taking notice? The mundane been-done-a-million-times, in-active, reflective number one opening? Or the balls and brassy, action-packed, emotionally-driven, thought-provoking number two?
That's right. The one with the forward moving character who appears on stage in an empowered light, not a downtrodden one (even if he/she gets their ass kicked in the next scene). The engaged and engaging, taking on life, not being run over by it, despite the circumstance, potential hero/heroine...who is possessed of spirit -- plenty of spirit -- THAT'S the one as readers are most curious about. (Oh, and it helps if the spirit has a unique and endearing voice, too. Just sayin'.)
If you want your writing to STAND OUT, your novel must command the stage. It must captivate its audience. Right from the first page. STAND OUT writing grabs its readers by the throat and won't let go. It keeps its reader ill at ease, slightly off balance, consistently in a state of minor disturbance, page after page after page. STAND OUT writing is wrought with unanswered questions and tantalizing mysteries that make its readers wonder what will happen next?
Think about your writing again, does it accomplish that?
STAND OUT novels present readers with characters they want to take home in their pockets, have coffee with, would fight for if forced to, and if they were to die, would take a little piece of their readers with them. Characters like Rainman, or Bridget Jones, or Scout. Harry Potter, Dumbledore, or Rue. STAND OUT means quite simply creating something OUTSTANDING. Unforgettable. Unputdownable. Original. Not mundane. No quiet reflective, internalized, staring out over the moors in silence, type entrance will do.
Think about your writing again, does that describe your characters?
Thinking of how you can transform your writing to STAND OUT proportions but think you might need some help?
Don't worry. It's coming.
How about a WORKSHOP or two?
Questions, feel free to contact me at jjpynaert@hotmail.com
Or stay tuned to this blog for details...
Coming soon...
Monday, February 20, 2012
What Attendees are Saying About Niagara...
Thinking of attending SCBWI CE Niagara Event, but haven't signed up yet? Perhaps these comments from a few former attendees, will convince you to commit.
Out of the mouths of writers...
The Niagara conference stands out among the many conferences I have attended because it felt very much all about the work, and not just who you know or meeting up with writer friends for a fun weekend. The Niagara Conference transcended borders and connections for me on many levels. And while I met some outstanding new friends, I remember them in terms of their work, and even came back to New York and read many of their books. In this way, Niagara truly validated me as ‘writer’ and not just another ‘conference attendee’. I say come as a writer, bring your work, bring your aspirations, bring your laptop, and prepare to be inspired.
Janis Marziotto
And...
The first writing conference I went to had over 1,000 attendees and I left feeling overwhelmed and discouraged. If this has ever happened to you, the Niagara Conference is a wonderful alternative. At last year’s event, the buffet-style meals and after dinner gatherings provided plenty of opportunity to connect with the all-star faculty and fellow writers. Faculty speeches dealt with up-to-date issues on industry related topics mixed with advice on improving craft and critique groups were composed of a balanced mix of new and established writers (mine was led by the astute literary agent, Josh Adams!) I was awed by the spot-on advice I was given and appreciated the opportunity to immediately apply the critique and receive feedback on my work (during the writing time provided that very weekend!). The praise I received for my efforts went a long way toward improving my self-confidence and skill as a writer. The success of the Niagara Conference, in my opinion, is largely due to the conference organizer. She brings a positive, all-inclusive energy to the event that is absolutely contagious! I left the Niagara Conference with new writing skills, new friends and industry connections and a promise to return!
Rosemary Danielis
Out of the mouth of an illustrator...
The 2011 SCBWI Niagara Conference was my first Children's Lit conference. The setting was nothing short of breathtaking and the sessions were invaluable and included an incredible, small group meeting with the Art Director from Harper Collins Canada. The side effects have all been favourable. I've continued to enjoy many growing relationships with the fantastic people I met there, and my portfolio and confidence has been growing as I continue to apply much of what I learned there. There really is nothing quite like a community of people involved in the children's literature industry. I highly recommend this conference to anyone wanting to pursue their dreams of writing and/or illustrating for children.
Julie Prescesky
Attention All Writers/Illustrators:
Writers/Illustrators this is the event for you! Small numbers. Maximum face time with eight of the industry's finest. A weekend of networking opportunities with Faculty members that pales in comparison to larger events. One-on-one (paid) critique opportunities AS WELL AS two small group critique circle opportunities, whereby guidance and confirmation/re-direction is offered (in both Illustration and/or Writing). PLUS a wide variety of craft building, self-promotion and industry breakouts to attend. Imagine all this, AND a two night stay in Niagara, at a breathtaking venue overlooking Niagara's one and only Horseshoe Falls. (That alone would cost you in the neighbourhood of $200/night.) And don't forget the food. Don't get me started on the food. (All meals but one included.)
This exclusive/inclusive event package is brought to you by SCBWI CE and is priced under $500. for the weekend! That's right folks, all your meals, lodging, speeches, critique session, and access to 8 top industry professionals, did you hear that, I said A FULL WEEKEND OF FACE TIME WITH EIGHT INDUSTRY PROFESSIONALS, (who else offers that?) including an acquiring Agent and 4 U.S. Editors, all for $470. (I feel like maybe I should be throwing in a pair of ginsu knives here, too!) Oh, and don't forget to check out our unique "Lend A Hand" scholarship program! It might just be for you!
This event is is limited to just 45 participants and space is selling steadily. So, if you're thinking about attending SCBWI CE Niagara June 8-10, don't just think about it, reserve yourself a spot...TODAY!
You know you want be there!!!
http://www.scbwicanada.org/east/events/2012SCBWICanESpringNiagaraConference.pdf
www.scbwicanada.org
(Payment instalment is available...see brochure for contact and details.)
Out of the mouths of writers...
The Niagara conference stands out among the many conferences I have attended because it felt very much all about the work, and not just who you know or meeting up with writer friends for a fun weekend. The Niagara Conference transcended borders and connections for me on many levels. And while I met some outstanding new friends, I remember them in terms of their work, and even came back to New York and read many of their books. In this way, Niagara truly validated me as ‘writer’ and not just another ‘conference attendee’. I say come as a writer, bring your work, bring your aspirations, bring your laptop, and prepare to be inspired.
Janis Marziotto
And...
The first writing conference I went to had over 1,000 attendees and I left feeling overwhelmed and discouraged. If this has ever happened to you, the Niagara Conference is a wonderful alternative. At last year’s event, the buffet-style meals and after dinner gatherings provided plenty of opportunity to connect with the all-star faculty and fellow writers. Faculty speeches dealt with up-to-date issues on industry related topics mixed with advice on improving craft and critique groups were composed of a balanced mix of new and established writers (mine was led by the astute literary agent, Josh Adams!) I was awed by the spot-on advice I was given and appreciated the opportunity to immediately apply the critique and receive feedback on my work (during the writing time provided that very weekend!). The praise I received for my efforts went a long way toward improving my self-confidence and skill as a writer. The success of the Niagara Conference, in my opinion, is largely due to the conference organizer. She brings a positive, all-inclusive energy to the event that is absolutely contagious! I left the Niagara Conference with new writing skills, new friends and industry connections and a promise to return!
Rosemary Danielis
Out of the mouth of an illustrator...
The 2011 SCBWI Niagara Conference was my first Children's Lit conference. The setting was nothing short of breathtaking and the sessions were invaluable and included an incredible, small group meeting with the Art Director from Harper Collins Canada. The side effects have all been favourable. I've continued to enjoy many growing relationships with the fantastic people I met there, and my portfolio and confidence has been growing as I continue to apply much of what I learned there. There really is nothing quite like a community of people involved in the children's literature industry. I highly recommend this conference to anyone wanting to pursue their dreams of writing and/or illustrating for children.
Julie Prescesky
Attention All Writers/Illustrators:
Writers/Illustrators this is the event for you! Small numbers. Maximum face time with eight of the industry's finest. A weekend of networking opportunities with Faculty members that pales in comparison to larger events. One-on-one (paid) critique opportunities AS WELL AS two small group critique circle opportunities, whereby guidance and confirmation/re-direction is offered (in both Illustration and/or Writing). PLUS a wide variety of craft building, self-promotion and industry breakouts to attend. Imagine all this, AND a two night stay in Niagara, at a breathtaking venue overlooking Niagara's one and only Horseshoe Falls. (That alone would cost you in the neighbourhood of $200/night.) And don't forget the food. Don't get me started on the food. (All meals but one included.)
This exclusive/inclusive event package is brought to you by SCBWI CE and is priced under $500. for the weekend! That's right folks, all your meals, lodging, speeches, critique session, and access to 8 top industry professionals, did you hear that, I said A FULL WEEKEND OF FACE TIME WITH EIGHT INDUSTRY PROFESSIONALS, (who else offers that?) including an acquiring Agent and 4 U.S. Editors, all for $470. (I feel like maybe I should be throwing in a pair of ginsu knives here, too!) Oh, and don't forget to check out our unique "Lend A Hand" scholarship program! It might just be for you!
This event is is limited to just 45 participants and space is selling steadily. So, if you're thinking about attending SCBWI CE Niagara June 8-10, don't just think about it, reserve yourself a spot...TODAY!
You know you want be there!!!
http://www.scbwicanada.org/east/events/2012SCBWICanESpringNiagaraConference.pdf
www.scbwicanada.org
(Payment instalment is available...see brochure for contact and details.)
Tuesday, February 14, 2012
Last Year In Niagara
NEWS FLASH: This event is currently 50% sold out!!!
Thinking of attending? Drop me a note: jjpynaert@hotmail.com
You know you want to be there!
Monday, February 13, 2012
Monday, January 30, 2012
Guest Blogger - Stacie Ramey - SCBWI CE Niagara's First Success Story
This is officially my first blog experience…of any kind (wait, no, I think I actually commented on a few before this ….does that count?)
Anyway, I was minding my own business, content to remain incognito, in my cave, and blog-less when I saw something on Facebook that I couldn’t ignore….a call for comments on Jackie’s blog about The SCBWI CE Niagara Writer’s/Illustrator’s Retreat and Conference….so here I am.
For those of you who attended last year and those people who know me and my story, you’ll immediately get why that request compelled me to act….
For those of you who don’t….here’s the thing…..I am an urban myth.
I am.
I know that sounds conceited, I realize….but It’s true….have you ever heard of someone who goes to a writer’s conference and leaves with an agent? That was me last June. The agent was Josh Adams of Adams Literary. Nice, right?
Okay we’ve seen this happen before, that’s what keeps us coming back to conferences and taking a chance by submitting our work to editors and agents along the way….but this time was different. And not just because it happened to me. (Although, from my perspective, that was really cool!)
It was different because it was the inaugural Niagara Writer’s/Illustrator’s Retreat and Conference, and because it was very small. Only 40 participants. It was different because this conference was different. A writer’s retreat. In a serene setting with the backdrop of the one and only Horsehoe Falls….
I came to spend time with writing friends. And meet new ones. I came to learn more about craft. I came to take a chance, that’s true….but instead of getting one shot with this agent, I got three. Three is way more than one. That’s right. I did the math and it totally works. Three beats one. Every time.
And even the chance I was given, the read I delivered was different. Because it wasn’t my first page being read in front of 200 other people with editors and agents weighing in on it while I tried not to pass out. It wasn’t sitting in front of an agent or an editor waiting patiently for them to tell me what they thought about it. I’d done that before. And not that that wasn’t helpful, this was better.
This was reading for an agent. Face to face. And watching the effect my piece had on him show up in his expression, getting valuable critique from him as well as other talented writer’s in the critique circle I was assigned and then getting a chance to revise and reread to all in the circle again. How many of you have wished you had written the scene differently after you submitted it for critique at a conference? How many times did you sit in your one-on-one critique session and say, “This scene has actually changed since I submitted it,” as you awkwardly tried to explain your process and how much you’ve grown as a writer? There was none of that because I brought the MOST recent version of the scene. Read it. Took the feedback from the group and Josh. Revised it. Then got to read it again! Because in Niagara critique cirecles, I got to feel like what it would be like to WORK WITH an agent or an editor. And they got to see what it would be like to work with me. One word: invaluable.
I got to do all of those things because I went to the Niagara event. It was a different format. It was about craft. It was about writing. It was about getting it done. And I forgot to be nervous. I forgot to bite my nails. I forgot about everything but the writing.
My third read came on Saturday night when I was selected to participate in the formal reading. There I shared a completely different piece of work, from a different book. I got to practice what it would be like to do a reading in public. I got to pretend I was already a writer and my audience was there to see me. Because they were. At that moment. And I was decent. And even though I was shaking in my boots, no one knew (the sound of the falls behind me drowned that out!)
So, If you’re looking for a way to learn and improve your writing skills, I have two words for you: working workshop. If you’re looking for a chance to get exposure to industry professionals, those words change to: small workshop. A small workshop is the best way to grow and improve, and when you’re ready, to shine. A small workshop is the best way to take a chance. Do you want to compete with 200 people or 45? It’s simple math again. Take-a-chance workshops are great. This is better.
Take it from me. The first one to win the Niagara Writer’s conference workshop sweepstakes. Because I met my agent, Josh Adams, there last year and he signed me a few weeks later. And that feels like winning the lottery.
This is an urban myth that actually happens.
It could happen to you.
What are you waiting for? Space is limited! Sign up today!
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